Jonathan “Jonny” Wexler: A Life on the Stage and the Journey to Frankie Valli

In the performing arts, longevity and the ability to seamlessly transition between mediums—from children’s television to the rigorous demands of Broadway-level touring theatre—are the hallmarks of a truly versatile artist. Jonathan “Jonny” Wexler, a Canadian actor originally from London, Ontario, embodies this rare blend of talent and persistence. While he is instantly recognizable to millions of children and parents worldwide as the energetic, blue-clad character Moe in the hit children’s television show The Doodlebops, his career trajectory extends far beyond the playful universe of Deedee and Rooney. Wexler’s story is a compelling narrative of dedication, classical training, and a profound journey that ultimately led him to assume one of musical theatre’s most coveted roles: Frankie Valli in the US National Tour of Jersey Boys.

His path is not just defined by bookings and applause; it is marked by a deep commitment to the craft, beginning in childhood and culminating in a highly demanding, multi-year touring schedule that saw him traverse North America and even Japan. This article delves into the comprehensive arc of Jonny Wexler’s career, tracing his early roots in Canadian theatre, examining the significant cultural footprint of his television work, and detailing his sustained success on the stage, which provided him with both professional accolades and profound personal growth. His experience is a testament to the idea that embracing change and finding meaning beyond one’s job title are paramount to sustained happiness in a highly competitive, often volatile industry.

Quick Bio

The Early Overture: Canadian Roots and Classical Training

Jonny Wexler’s connection to the performing arts began exceptionally early. Born in London, Ontario, Canada, his passion was ignited when his parents enrolled him in piano and singing lessons at the age of six. A year later, he stepped onto the stage for the first time in a production of Oliver! This foundational experience established a trajectory that would consume his youth, culminating in a comprehensive artistic education.

From the age of seven to eighteen, Wexler participated in dozens of diverse productions, spanning from the serious works of composers like Simon to the complex musicality of Sondheim. His early resume included three consecutive High School Projects at the Grand Theatre, performances with the Original Kids Theatre Company, and extensive local community theatre. Notably, his commitment to his craft was recognized by the Stratford Festival of Canada, where he spent a season, exposing him to some of the highest standards of classical theatre performance in North America. During this period, he was also a member of the Amabile Boys Choir, further refining his vocal ability, a skill that would later become crucial for his starring role as Frankie Valli. In addition to music and acting, he undertook formal dance training, eventually developing proficiency in breakdancing and becoming a member of the “infamous Albino Zebras crew.” This multi-disciplinary background—singing, acting, and specialized dance—equipped him with the versatile toolkit required for modern theatrical demands.

The Doodlebops: A Cultural Footprint

As he was graduating high school and receiving an acceptance to the rigorous Goodman School of Acting at DePaul University, Wexler’s life took a decisive turn. He was cast in the hit children’s television show, The Doodlebops, a commitment that replaced his immediate plans for formal acting school.

Wexler took on the role of Moe Doodle, the blue-clad, rhythm-driven character, on the show that aired on CBC in Canada, the Disney Channel and Cookie Jar TV on CBS in the United States, and Playhouse Disney internationally. Working under the guidance of legendary children’s television producer Michael Hirsch and the Emmy award-winning choreographer David Connolly, Wexler went on to film 65 live-action episodes and 52 episodes of the cartoon spinoff, The Doodlebops Rockin’ Road Show.

The show was not merely a filmed project; it evolved into a massive live touring phenomenon. Wexler, along with the cast, performed over 600 shows across North America, transforming the television characters into live stage icons for millions of young fans. This included sixteen sold-out shows for over 30,000 people at Walt Disney World and three sold-out days at Madison Square Garden. The experience provided Wexler with invaluable on-the-road training, learning how to sustain character and energy through hundreds of performances, a skill set that prepared him perfectly for the demands of the national musical theatre tour that lay ahead. His time as Moe Doodle created a generation of fans and established Wexler as a recognizable name in the children’s entertainment landscape, an identity that remains a significant part of his public profile.

Transition to the American Stage

In 2008, Wexler relocated to Los Angeles after receiving his Green Card, signaling a deliberate shift toward new opportunities in the American entertainment market. While in California, he focused on building his screen credits, acting in more than a dozen short films.

However, the theatre continued to call to him. In 2009, he returned to Canada to star as Chad Danforth in the Canadian premiere of High School Musical on Stage! at the Neptune Theatre in Halifax, Nova Scotia. This role reaffirmed his foundation in musical theatre and his capability to lead a major production.

The turning point for his serious theatrical career came in 2012 when he participated in the creation of Yoshimi Battles the Pink Robots at the La Jolla Playhouse, a musical based on the Flaming Lips concept album and directed by Des McAnuff (The Who’s Tommy, Jersey Boys). This experience was immediately followed by a workshop for a new musical, Chasing the Song, working with the creative team behind Memphis. He would later reprise his role in a full-scale production of Chasing the Song in 2014. These productions solidified his place in the developmental world of new American musical theatre and connected him with some of the industry’s most influential directors and writers.

Read More: Greg Gisoni: The Quiet Figure Behind the Cameras and the Ziegler Family

Jersey Boys and the Dream Role of Frankie Valli

It was during his time at La Jolla Playhouse that an acquaintance suggested that Wexler might be a suitable fit for a role in the hit biographical musical, Jersey Boys. That suggestion quickly materialized into a career-defining opportunity.

In July of 2014, Wexler joined the US National Tour of Jersey Boys. He initially joined the cast as Joe Pesci while simultaneously understudying the monumental role of Frankie Valli. For three years, from 2014 until 2017, he toured the US, Canada, and Japan, gaining immense experience and professional growth. This period was a profound personal experience; during this time, he also pursued and achieved US citizenship, further rooting his life and career in America while still maintaining his Canadian ties.

Then, in 2017, Wexler realized a professional dream. Following his long tenure in the ensemble, he was promoted to the starring role of Frankie Valli for another year of the national tour. Playing Valli—a role demanding an intense vocal range and stamina—was described by Wexler as an “absolute dream come true” and the pinnacle of a journey that began on his parents’ piano at age six. The emotional and physical commitment required to play Valli over hundreds of performances showcased the resilience and depth of his talent, confirming his transition from a children’s television star to a major dramatic lead in musical theatre.

Philosophy on Impermanence and Growth

Beyond the stage, Wexler has shared introspective reflections on his personal philosophy, particularly following a challenging period in 2021. This personal perspective offers insight into the thoughtful man behind the performer. He speaks about the challenge of embracing impermanence and finding meaning in change, noting that people often define themselves narrowly by their jobs, possessions, or achievements.

Wexler encourages a definition of self based on how one experiences and interacts with the world, and how one gives and receives love. He suggests that as external identifiers—like skills, talents, and possessions—are stripped away, individuals can find their “true light and love.” This philosophical outlook underscores a maturity developed through years in a high-pressure, constantly moving profession where jobs and identities are temporary. His dedication to self-improvement and finding joy in the unknown speaks to his resilience as an artist and as an individual.

Continued Artistic Endeavors

Wexler’s talent extends beyond his stage work. He is an accomplished singer with a diverse range, evident in recordings like his performance of “Dixie Down” for a Broadway Cares/Equity Fights Aids benefit concert. His credits also include numerous film roles, where he often took the lead in various short-form projects, demonstrating his continuous work across different acting mediums even while committed to his touring schedule. His commitment to charity is also evident, participating in events to support causes like Broadway Cares/Equity Fights Aids.

His training reflects this comprehensive approach, including intensive study at institutions like the Larry Moss Studio, the Actors Creative Workshop, and even specializing in areas like the Alexander Technique and classical styles. This background shows an actor continuously investing in his professional development, ensuring his skills remain sharp and adaptable.

Conclusion

Jonathan “Jonny” Wexler’s career is a fascinating mosaic of children’s entertainment, classical theatre training, and sustained professional touring at the highest level of musical theatre. From the colorful costume of Moe Doodle to the exacting precision required to play Frankie Valli, his professional life has been defined by versatility, hard work, and an unwavering commitment to the performing arts. His journey—a continuous process of learning, traveling, and adapting—serves as an inspiring blueprint for success in a fluid and demanding industry. As he continues to embrace the impermanence of his profession, Wexler’s path forward promises to be one filled with the pursuit of new challenges and further artistic growth.

FAQ

1. Who is Jonny Wexler?

Jonny Wexler is a Canadian actor, singer, and dancer best known for playing Moe in the popular children’s TV show The Doodlebops. He achieved major success in musical theatre, starring as Frankie Valli in the US National Tour of the hit musical Jersey Boys.

2. What major roles did Jonny Wexler play on stage?

Jonny Wexler’s most significant stage roles include Moe in the The Doodlebops Live! North American and international tours, Joe Pesci (and understudy for Frankie Valli) in the US National Tour of Jersey Boys, and eventually the lead role of Frankie Valli in Jersey Boys. He also played Chad Danforth in the Canadian premiere of High School Musical on Stage!

3. Where is Jonny Wexler from?

Jonny Wexler is from London, Ontario, Canada, and began his theatre training there. He later received his Green Card and became a US citizen, establishing a career primarily in Los Angeles and on US National Tours.

4. Was Jonny Wexler involved in the creation of new musicals?

Yes, Jonny Wexler was involved in the developmental stage of new musicals. He participated in the creation of Yoshimi Battles the Pink Robots and a workshop and full-scale production of Chasing the Song, both at the La Jolla Playhouse, working with acclaimed Broadway directors.

5. What philosophy does Jonny Wexler share about his career?

Jonny Wexler has publicly shared a philosophy focused on embracing impermanence and finding meaning not in job titles or possessions, but in how one experiences the world and interacts with others through love, seeing change as paramount to continued happiness and growth.